Anna Caterina Antonacci
Anna Caterina is regarded as the best soprano of her generation. The award-winning singer was a winner in both the Voci Verdiane Callas competition and the Pavarotti Competition. In recognition of her achievements she was presented with the 'Chevalier de l'Ordre National of the Legion d'Honneur' (the highest distinction a individual can attain) by the French Republic. She recorded the album"L'Alba separadilla" dilla-luce L'ombra, with Donald Sulzen for Wigmore Live. It features tracks from Tosti Cilea. Anna Caterina was elected one of the Accademici Effettivi by the distinguished panellists of the General Assembly of the Academicians of Santa Cecilia in 2021. Anna Caterina is currently performing her role of Madame de Croissy from Poulenc's Dialogues des Carmelites, in an Emma Dante production at Teatro dell'Opera di Roma. She will return to the part later on during the season with the Bayerische Staatsoper. Anna Caterina Antonacci is an Italian soprano, best known for her performances in bel canto as well as Baroque repertories. She primarily focused on the Rossini Canon. She has been a mezzo soprano since several years. Anna Caterina Antonacci's height has not yet available, but it is 62. Anna Caterina Antonacci Body measurements Hair color, eye color, and colour will soon be updated. She is not dating anyone. She's never been in a relationship with anyone. It is difficult to discover her background and whether or not she ever got married. Her Database shows that she doesn't have children. In 2022-2023, her net worth is expected to increase significantly. How much will Anna Caterina Antonacci's net worth today at 62 years old? Anna Caterina Antonacci makes most of her money by performing. Anna Caterina Antonacci (born 5 April 1961) is an Italian soprano who is famous for her roles in the bel-canto and Baroque repertories. Antonacci sang as an Rossini Canon mezzo soprano. Antonacci who was educated in Bologna made her Arezzo debut in the year 1986. The full profile of her was published by The New York Times in March 2012.






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